Naomi (Genesis Rodriguez) and Matt (Vincent Piazza) star in "Centigrade."

Not even our current 90-degree days with seemingly 100 percent humidity can take the chill out of air while you’re watching “Centigrade.” The film, based on real events, depicts a young couple traveling in Norway to promote the wife’s new book. On their way to the book signing, they hit an ice storm on a treacherous mountain road.

Pulling over, and arguing about whether or not to do so, the couple falls asleep only to awaken to be encased in their car, frozen and buried beneath the blizzard that followed the ice. With limited resources, the couple must survive an indeterminate amount of time and be saved or save themselves.

The first scene is a claustrophobic one, panic setting in to both the characters and the viewer, as the couple awakens from their slumber, realizing the dire situation. Naomi (Genesis Rodriguez) is rather unlikable immediately as her treatment toward hubby Matt (Vincent Piazza), a sweet and supportive partner, isn’t kind. Both characters look at the situation differently as they assess their environment and food and water resources. The hours and days tick by and tempers flare giving insight into the emotional baggage they both carry. With the additional knowledge Naomi is pregnant, water is scarce, and the temperature is falling precipitously, the stakes are raised considerably for all of them.

“Centigrade” captures not just the environment but the feeling of being in this car. We feel trapped and panicked watching events unfold. We feel the bitter cold slicing through the layers of clothes unsure as to what we would do if in a similar position. This feeling of empathy is no easy task when filming in one isolated and cramped location, but “Centigrade” uses this as a solid foundation for the characters to build and ultimately complete the story.

To make this story believable, both Naomi and Matt have to be authentic in their portrayals — and Rodriguez and Piazza find a way to deliver exactly that look of authenticity. Neither portray themselves as perfect. They are flawed. They have secrets and issues that come to a head. (Imagine being trapped in a car with your significant other!) There’s no real time to subtly introduce our main characters; it’s a crash course, and both actors know this. We pick up in the middle of their lives and their history.

Interestingly, we initially regard Rodriguez’ character with disdain. She is unapologetic with this aspect, but it is exactly that choice that makes her real. During time, we see Matt has his own issues, and Piazza’s nuances and more subtle overtones allow us to see him for who he really is. Polar opposites in many ways, they fit together.

It’s a roller coaster ride of emotions, lashing out at one another, comforting one another and sacrificing for each other. Their conversations, all pertinent to developing our understanding of each of the characters and their psychological reasoning for decision-making, pushes this story forward with the intensity of an avalanche.

The deft direction and attention to every detail — because with just one setting, details count — guide the two characters along their path with the precision of a surgeon. Details such as the candy wrappers, the empty water bottles, the layers of clothing and the hashmarks on the dashboard to count the days punctuate the emotional turmoil Naomi and Matt are facing.

Of course, the contortionist-like cinematography brings you inside the car to experience the candid dialogue, and we become a fly on the wall to witness each minute, hour and day. While the time passes by, thanks to great editing, it never feels as though we are watching the hands of the clock.

As the film is based on a true story, you already might know how it ends, but that does not take away the thrill and the chill of it. Its bitter rawness is terrifying, but the connection with the characters makes this a film from which you just can’t look away. Incredible and, at times, inconceivable cinematography, succinct direction and dialogue and authentic performances make this a film you won’t want to miss. You likely will keep a few more stocked items in your car next winter.

Reel Talk rating: 4 stars

Pamela Powell is a film critic located in Bourbonnais and a member of the CFCA and the CCA and is a Rotten Tomatoes certified critic. Writing reviews for 10 years, Pamela also can be found on WCIA TV in Champaign. She can be contacted at pampowell5@att.net.

(0) comments

Welcome to the discussion.

Please be civil. Don't threaten others. Don't make obscene, vulgar, lewd, racist, sexist or otherwise demeaning statements. Be respectful of others even if you disagree with them.
Please be truthful. Don't knowingly lie about anyone or anything.
Please be proactive. Report abusive posts.
Please share updates or more information. We value your input and opinion.